CNN apparently reworking 'Morning'

CNN is going through some major changes: the internet is apparently ending its current method of morning show "American Morning," with anchor Soledad O'Brien set to consider over from 7 to 9 ayem and former ABC Newsie Ashleigh Banfield as her lead-in from 5 o'clock until 7. This news was initially reported through the NY Times' John Stelter.The Turner news internet reworked its primetime sked captured, with new hire Erin Burnett on at 7 p.m., Physical Violence Worsens reshuffled to exchange two unsuccessful iterations of CNN's Eliot Spitzer program at 8, and Piers Morgan changing Ray King at 9.Fox News' morning show "Fox & Buddies" has ruled the cable morning show landscape for a while, and CNN would appear to become searching for a brand new approach after 10 years from the current version of "American Morning."TVNewser reported a week ago the internet is restructuring its Atlanta newsroom, reclassifying all authors to author/producers and needing these to pay a severance package or re-apply for his or her positions within two days. Contact Mike Thielman at mike.thielman@variety.com

AFM: Robert P Niro, Travolta Qantas Video Team For Killing Season

La, CA Millennium Films, Corsan Pictures and FilmEngine will begin production The month of the month of january 16 on Killing Season, starring Robert P Niro and Travolta Qantas Video. Mark Steven Manley (Ghost Driver, Daredevil) will direct in the script by Evan Daugherty (Snow White-colored as well as the Huntsman). Killing Several weeks are an action movie occur the Appalachian Hills a great American military veteran (P Niro) which has retreated with a remote cabin inside the forest. Each time a rare customer, a European tourist (Travolta), appears in this region, the two males start an unlikely friendship. Nevertheless the customer can be a former Serbian soldier bent on revenge. Below can be a tense, action packed fight across numerous Americas most forbidding landscape that proves the old adage: the purest kind of war is really a-on-one. Nu Image/Millennium takes charge on worldwide sales within the American Film Market now, in consultation with Corsan. For FilmEngine, Anthony Rhulen is creating and Mike Wagner is professional producer. Ive loved this project the moment Someone said Evan Daughtertys amazing script, mentioned Corsan Boss Paul Breuls. Its thrilling, imaginative, unforeseen and centered by two amazing figures around the collision course. Im happy this film gets into production also to be became a member of with Avi Lerner and also the team at Millennium. Were excited being co-financing and co-creating this film with Corsan, also to work again with Robert P Niro and Travolta Qantas Video, mentioned Nu Image/Millennium topper Avi Lerner. Weve never observed these two great stars on-screen together before, and were excited to determine which originates from the mixture.

Ellen DeGeneres and Portia p Rossi to spread out Vegan Restaurant (Exclusive)

Since Bill Clinton and Alec Baldwin have leaped around the celebrity vegan bandwagon, Hollywood needs more vegan restaurants to increase Real Food Daily and Hollywood hangout Coffee shop Gratitude.our editor recommendsEllen DeGeneres and Portia p Rossis House Well, vegans Ellen DeGeneres and Portia p Rossi are trading with singer Chrissie Hynde and producer Steve Bing inside a new vegan restaurant which will open on Ventura Boulevard within the San Fernando Valley. PHOTOS: Ellen DeGeneres and Portia p Rossi's House In August, DeGeneres released a brand new websiteGoing Vegan with Ellenthat includes quality recipes, faq's, assets and information on celebs who've gone vegan (Mike Tyson, Jum Michele). Pre-eminent vegan chef Tal Ronnen is going to do recption menus. Ronnen focused the pair's vegan wedding as well as is renowned for planning foods for any 21-day vegan cleanse carried out by The famous host oprah Winfrey in 2008. He's the writer from the cook book The Conscious Prepare. VIDEO: Portia p Rossi Recalls Meeting Ellen DeGeneres on CBS Sunday Morning Designer Waldo Fernandez, who designed from inside for Kaira PItt and Anjelina Jolie and L.A.'s Soho House, is going to be creating the area, a repetition for DeGeneres states. Related Subjects Alec Baldwin Ellen DeGeneres Portia p Rossi Bill Clinton Chrissie Hynde Dining

Almodvar AFI Retrospective Adds Eyes Without Any Face, Le Cercle Rouge, Nightmare Alley, The Killings

La, CA, October 25, 2011 AFI Fest presented by Audi, a showcase of the extremely anticipated films and performances of year, today introduced the film retrospective curated by Guest Artistic Director Pedro Almodvar for your 25th edition in the festival. Furthermore for the formerly introduced screening of his film Law of Desire becoming an Evening With Pedro Almodvar Gala presentation on Monday, November 7, Almodvar’s program of classic horror films and thrillers are Eyes Without any Face (Dir. Georges Franju, 1960), Le Cercle Rouge (Dir. Jean-Pierre Melville, 1970), Nightmare Alley (Dir. Edmund Goulding, 1947) as well as the Killings (Dir. Robert Siodmak, 1946).

Sorry, Geeks: None of Avengers Was Shot on iPhone

After a torrent of reports circulated the news that Avengers DP Seamus McGarvey shot portions of the $200 million Marvel blockbuster with an iPhone, the cinematographer (and especially Disney) rushed to claim he was misquoted by something called the Irish Film & Television Network: “I mentioned that the iPhone and the Canon 5d Mk2 were devices currently used on many Hollywood productions. I used the Canon on some shots on Marvel’s The Avengers movie. Unfortunately, this was edited to read that I shot some of the film with the iPhone. This is not true.” Disappointing, but come on. Did no one think to fact-check with Siri? [THR] Follow S.T. VanAirsdale on Twitter. Follow Movieline on Twitter.

The TV's turn to have an extreme transformation

The family room tv is beginning to appear just a little lengthy within the tooth.With 100s of Television channels to select from, 1000's of on-demand shows at individuals tips of the fingers (plus 1000's more from third-party services like Netflix and Hulu) along with a near infinite quantity of online content fighting for viewers' attention, the way in which customers connect to their sets is seriously outdated.It appears like change is in route. In the Electronic Devices Show in The month of january, interface would be a major buzzword -- and you will find lots of gossips Apple is thinking about creating a Television set of their own. But reinventing the tv is tricky. After so years of the conventional power grid-based program guide, customers are not wanting to re-locate of the safe place. Also, rather than cooperating being an industry, TV producers are largely searching for internal solutions."Producers frequently prefer to build closed systems -- which causes it to be hard to integrate all of them with one another," states Craig Engler, senior v . p . and g.m. of Syfy Digital. "Maybe Apple does for that television industry what it really did for pills: produce a new standard that everybody follows."Reinventing the television is not only a matter of which makes it simpler to locate programs, though. The Television has become an entertainment and communications center for a lot of houses, with a lot more functions making it even harder to build up an answer.InchWe do not know what's next," states Zander Lurie, senior Vice president of proper development at CBS. "Customers are simply considering that fusion of TV with movies as well as on-demand, but individuals are programming their music and home security systems through their TV now too. If 10 very wise people sitting lower and came up what their ideal interface is, they'd be very, completely different.Inch1 trend that's certain to be critical is social discovery, helping audiences find content by seeing what buddies are watching to see which episodes are "trending." Knowing that, there's lots of curiosity about Facebook's new application structure and just how it drives customers to streaming services."The Net is a large-ass recommendation engine," Lurie states.The old-fashioned program guide will probably have an extreme transformation. As opposed to the familiar text power grid, some producers are experimentation having a more visual model. But that presents its very own challenges."[Make a] kind of cover flow where you are moving through visual imagery of shows rather than text names," Engler states. "Using the Verizon FiOS iPad application, searching with the schedule by cover art of (each) show. The issue is, many shows do not have which cover art and definitely not inside a format that may be reduced. Therefore it becomes incumbent upon us, the designers, to produce assets that might be helpful for the reason that format."Weight loss third-party content services explore cloud distribution, some think the television will end up a main issue with that ecosystem. CBS' Lurie foresees a period when the family room flatscreen will look like a computer monitor, with content being given into it through the cloud.John Vanston, chairman of Technology Futures, concurs, adding he thinks one key trend is going to be sets that permit the docking of other products (putting users' videos, pictures and private calendars and much more on the TV)."The Television,Inch he states, "may be the interface towards the cloud."HIGHLIGHTS9:15 a.m. Research: Tom Adams, director and principal analyst U.S. media at IHS Screen Digest9:45 a.m.Keynote Q&A: Jon Favreau. Questioned by Steven Gaydos, executive editor at Variety10:15 a.m.Panel: The Condition from the TV BusinessSpeakers: Ted Chervin, mind of worldwide TV, ICM Michael Wright, executive Vice president and mind of programming, TNT/The best spinner's/TCM Nick Grad, executive Vice president of original series, Forex. Moderator: Stuart Levine, VarietyNoonWhat's Hot in Social Entertainment? Focusing On How Gaming Achievement, Check-Inches, Daily Deals Integrate with Hollywood.Loudspeakers: John McCrea, gm of Tunerfish, Comcast Peter Naylor, executive Vice president digital media advertising, NBCUniversal Marc DeBevoise, senior Vice president, CBS Interactive Jennifer Kavanagh, senior Vice president of digital, Oxygen Media Steve Ellis, Boss, WhoSay Sally Daws, senior Vice president marketing, Forex Network. Moderator: Eric Kuhn, social networking agent, UTA2 p.m.Keynote: Kevin Mayer, executive Vice president of corporate strategy and business development, the Wally Disney Co. Questioned by Michael Kassan, Boss and chairman of MediaLink2:30 p.m.Original Content Develops UpSpeakers: Felicia Day, creator, author and star of "The Guild" David Gale, executive Vice president at MTVX at MTV Systems Chris Bruss, mind of top quality entertainment, FunnyorDie.com Mike Rosenstein, director of digital content, Red-colored Hour Films Milana Rabkin, digital media agent, UTA Dane Boedigheimer, creator, "The Annoying Orange." Moderator: Stuart Levine, Variety3:30 - 4:15 p.m. Trendsetters in Entertainment Distribution.Loudspeakers: Scott Koondel, leader of distribution, CBS David Spiegelman, leader of domestic television and digital distribution, Relativity Media Jack Isquith, senior Vice president of proper development, Slacker Radio John Penney, executive Vice president, strategy & business development, Starz Erin McPherson, Vice president and mind of originals and video programming at Yahoo. Moderator: Andrew Wallenstein, Variety4:15 p.m.PGA Digital 25RELATED LINKS: Percenteries help stars surf social wave Contact the range newsroom at news@variety.com

'Nader and Simin' Wins Vancouver Film Festival's Top Audience Award

TORONTO -- Iranian writer-director Asghar Farhadi's Nadar and Simin, A Separation won the top People's Choice Award at the Vancouver International Film Festival on the weekend after earlier snagging the Berlinale Golden Bear trophy.our editor recommends'Nader and Simin' Wins Berlin Film Festival's Top Prize (Berlin)Nader and Simin, A Separation: Berlin Review The Leila Hatami and Peyman Moadi-starring drama about a woman who wants to leave her husband and Iran for a better life was was the first runner-up for the top People's Choice Award at the Toronto International Film Festival, coming second to Nadine Labaki's Where Do We Go Now? PHOTOS: Toronto Film Festival: 13 Films to Know Nader and Simin, A Separation beat out 375 other films to win the top audience prize in Vancouver. VIFF festgoers also chose Susanne Rostock's Sing Your Song as the most popular nonfiction film, while Ken Scott's Starbuck won for the most popular Canadian film trophy in Vancouver. PHOTOS: Telluride Film Festival: 12 Movies to Know And the most popular documentary at VIFF, voted on by ordinary festgoers, was Canadian director's Charles Wilkinson's Peace Out, which bowed in Vancouver. Related Topics International Nader and Simin, A Separation Asghar Farhadi

The Adventures of Tintin: The Secret of the Unicorn

'The Adventures of Tintin: The Secret of the Unicorn'A Paramount (in U.S./U.K.) release presented with Columbia Pictures in association with Hemisphere Media Capital of an Amblin Entertainment, Wingnut Films, Kennedy/Marshall production. Produced by Steven Spielberg, Peter Jackson, Kathleen Kennedy. Executive producers, Ken Kamins, Nick Rodwell, Stephane Sperry. Co-producers, Carolynne Cunningham, Jason McGatlin. Directed by Steven Spielberg. Screenplay, Steven Moffat, Edgar Wright, Joe Cornish, based on the comicbook series "The Adventures of Tintin" by Herge.Tintin - Jamie Bell Capt. Archibald Haddock - Andy Serkis Ivan Ivanovitch Sakharine - Daniel Craig Thomson - Nick Frost Thompson - Simon Pegg Silk - Toby Jones Tom - Mackenzie Crook Allan - Daniel Mays Ben Salaad - Gad Elmaleh Barnaby - Joe Starr Bianca Castafiore - Kim Stengel Mrs. Finch - Sonja Fortag Lt. Delacourt - Tony Curran (English dialogue)Steven Spielberg was apparently turned on to the Belgian comicstrip hero Tintin while making his first Indiana Jones films, so it seems entirely fitting that his motion-capture animation "The Adventures of Tintin: The Secret of the Unicorn" should rep such a rollicking return to action-adventure form, especially after the disappointment of "Indiana Jones and the Kingdom of the Crystal Skull." Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged auds. Pic should do thundering typhoon biz globally, but will whirl especially fast in Europe. Paramount release is skedded to bow Oct. 22 in Euroland and then roll out worldwide, hitting North America just in time for Christmas. It's a canny distribution strategy that will maximize exposure and B.O. potential in the territories that know Belgian artist Herge's source material best, thereby building up a solid rep before the pic reaches the U.S., where Tintin is still effectively a cult figure, known mostly among comicbook fans and Europhile cognoscenti. Early buzz on fan sites indicated that expectations weren't high for Spielberg's take on the material, given the arguably overused devices of 3D and motion-capture. Working hand-in-hand with Jackson, however, the director and his team have deployed both technologies with subtle finesse throughout, exploiting 3D's potential just enough to make the action scenes that much more effective without overdoing it; likewise, the motion-capture performances have been achieved with such exactitude they look effortless, to the point where the characters, with their exaggerated features, almost resemble flesh-and-blood thesps wearing prosthetic makeup. Indeed, in the early going auds might wonder why the filmmakers bothered with motion-capture at all. But the choice starts to make sense once Snowy, Tintin's faithful white terrier, performs antics not even the best-trained pooch could perform and the sets, stunts and action sequences become ever more lavish. Extreme Tintin purists might quibble that the screenplay, by all-Brit team Steven Moffat ("Doctor Who"), Edgar Wright ("Shaun of the Dead") and Joe Cornish ("Attack the Block"), doesn't stick to the letter of Herve's original strips. But others will appreciate how skillfully it shuffles and restacks elements from three of the adventures: slices from "The Crab With the Golden Claws" (published in 1943), the lion's share from "The Secret of the Unicorn" and a wee bit from "Red Rackham's Treasure" (both published in 1945). The remainder of the latter book will presumably bedrock the inevitable sequel. Accompanied by his mutt mate Snowy, boy reporter Tintin (voiced by and based on the movements of Jamie Bell) buys a scale model of an old ship called the Unicorn at an outdoor market in an unnamed city with both French and English writing on its storefronts -- a sly bit of fudging that tips its hat to the fact that the books were retranslated for every country they were published in. Two other men immediately try to repurchase the model off him, first sinister gent Sakharine (Daniel Craig) and then an American named Barnaby (Joe Starr). Tintin refuses, and once he realizes the ship contains a vital clue about the location of missing treasure, the ever-inquisitive lad begins his adventure in earnest. Eventually he's kidnapped and spirited off to the Karaboudjan, a steamer nominally under the command of one Capt. Archibald Haddock (Andy Serkis), whose permanent state of inebriation has left him powerless against the machinations of Sakharine. Haddock, it transpires, is the last remaining descendant of Sir Francis Haddock (also Serkis in flashbacks) a 17th-century naval commander who lost his ship, the Unicorn, in a battle with pirates led by Red Rackham (Craig). Tintin helps Haddock escape, and after a detour in the Sahara and a bravura chase through the fictional city of Bagghar, Morocco (all done in one shot), they make their way back to their point of origin. Along the way, they're aided and abetted by two bumbling, identical Interpol officers named Thomson and Thompson (Wright regulars Nick Frost and Simon Pegg, respectively), who aren't that critical to the plot but are helpful in terms of comic relief. Aside from a crack about a shepherd said to have shown too much enthusiasm for animal husbandry, the humor throughout is resolutely PG-friendly, lacking in the knowing irony and snarky, anachronistic wisecracks that have become such predictable fixtures of other recent blockbusters and reboots. Spielberg largely honors the innocent, gung-ho tone of the original stories, with their air of boyish derring-do (femme characters barely feature at all here), sensibly shunning the racist and anti-Semitic elements that just won't wash with contempo auds. Result is retro without being stodgy or antiquated; Tintin himself, for instance, has a more mischievous glint in his eye than the wide-eyed naif of the strips, which makes him feel more modern, if curiously unplaceable in terms of age. The worst that could be said of "The Secret of the Unicorn" is that the action is so relentless, it nearly comes to feel like a videogame as it leaps from one challenge to the next. Younger auds will embrace it more than older ones, although even teens may feel it lacks the kitsch majesty that made "Avatar" such a hit. Toon geeks are likely to be among "Tintin's" biggest fans, so consistently stylish and richly detailed is its design work. With immense sensitivity, the animators have translated Herge's spare, elegant drawings into a multidimensional world that seems realistic (especially in its use of chiaroscuro lighting, which plays wonderfully with sunlight and shadows throughout) yet still charmingly stylized and cartoony. Perhaps the film's sweetest joke comes at the very beginning, when a street artist, modeled on the real Herge, does a quick-sketch portrait of Tintin that looks exactly like one of the original strips. (Deluxe color, widescreen, 3D); editor, Michael Kahn; music, John Williams; art director, Andrew Jones, Jeff Wisniewski; conceptual designers, Rebekha Tisch, Chris Guise; costume designer, Lesley Burkes-Harding; sound (DTS/SDDS/Dolby Digital), Rod Judkins; sound designer, Dave Whitehead; supervising sound editor, Chris Ward; re-recording mixers, Christopher Boyes, Michael Hedges, Andy Nelson; animation supervisor, Jamie Beard; animation technical director, Shaun Friedberg "Pyrokinesis";senior visual effects supervisor, Joe Letteri; visual effects supervisor, Scott E. Anderson; visual effects, Weta Digital; stunt coordinator, Garrett Warren; assistant director, Adam Somner; casting, Scot Boland, Victoria Burrows, Jina Jay. Reviewed at Odeon Leicester Square, London, Oct. 16, 2011. MPAA Rating: PG. Running time: 107 MIN. Contact the Variety newsroom at news@variety.com

Dirty Girl Viral Blog Exposes 13-Year-Olds to Filthy Sex Fantasy Chatter

How do you possibly promote a movie about a promiscuous high school student in the ’80s? If you’re ripping a page out of the Weinstein Co.’s Dirty Girl’s marketing book, try launching a blog where users can anonymously share their deepest, darkest, most twisted sexual fantasies… then making it accessible for anyone aged 13 and up! Um, guys…? Today Movieline received a press release announcing the viral marketing website for Abe Sylvia’s Dirty Girl called Dirty Secrets Blog, a “wildly addictive blog [that] lets users anonymously spill their dirty secret.” There, after confirming that you are at least 13 years old — seriously, only 13 years old — users can create a clever pseudonym and post about their own naughty musings and sexual fantasies, just the way Dirty Girl’s heroine Danielle (Juno Temple) might…if she had access to the Internet in the ’80s. Take a look at some of the threads (warning: NSFW): Will you be partaking in this sexy marketing adventure? Or does the idea of this sexual fantasy blog targeting teenagers make you cringe and wish for simpler times like Oklahoma in the ’80s? Maybe that’s the actual intention of this viral venture. Dirty Girl premieres October 7 and follows “the story of two mismatched misfits headed for the bright lights of California, and how they discover each other and themselves through a funny and serendipitous friendship.” The Juno Temple-starrer is rated R “for sexual content including graphic nudity, and for language,” and though it’s not readily apparent exactly what the quirky road trip pic has in common with the Dirty Secrets blog aside from its title and filthy mind, Weinstein Co. might want to in the least reconsider boosting its age-gate. Otherwise youngsters who aren’t even old enough to buy a ticket could wind up learning a lot more from the film’s viral blog than the film itself. Update: We’ve added evidence that users only need to be 13 to enter the site. [Dirty Secrets]

Robert Downey Junior. Remaking 'Perry Mason,' Clint Eastwood Returns To Acting

Robert Downey Junior. and Warner Bros. are joining up again, this time around around to remake "Perry Mason." The well-known material started out just like a novel, then increased being a hidden show, a TV series, numerous movies and also the other TV series. Variety broke what is the news, and states that Downey will star since the titular defense attorney who is experienced in trial and criminal work. He was most infamously referred to by Ramond Burr from 1957 to 1966. See the relaxation of current day casting news following a jump! More Stars Flock To "The Silver Textures Playbook" David O. Russell is assembling quite the cast for his new movie, "The Silver Textures Playbook." Deadline is verifying that Julia Stiles originates aboard the project, which Chris Tucker has closed his deal to star inside the film. They'll be joining Bradley Cooper and Jennifer Lawrence inside the cast. Paul Master Counts "Several hours" The Hollywood Reporter finds that Paul Master will star inside the publish-Hurricane Katrina thriller "Several hours." The project will be the directorial debut of "The Main One Factor" film author Eric Heisserer. It'll tell the story from the youthful father's fight to help keep his newborn daughter alive in New Orleans like a direct results of Hurricane Katrina. Clint Eastwood Revisit Acting After three years of retirement, Clint Eastwood has came back for further. The Hollywood Reporter finds that Eastwood will return to the silver screen for your baseball drama "Issue with the curvature.In . This is actually the initial movie he's socialized in since 2008's "Gran Torino." Javier Bardem To See Animated Villain Make room Jason Segel, there's a brand new actor organizing to voice the villain in "Wretched Me 2." The Hollywood Reporter states that Javier Bardem is at discussions to voice the baddie inside the approaching Universal animated film. He'll play a villain named El Macho. This really is his first animated role. Aubrey Plaza Joins "Charles Swan" Variety is verifying that Aubrey Plaza is at predicts star in Roman Coppola's film "A Glimpse Inside the Mind of Charles Swan III." The film will mirror the presence of Charlie Sheen, and may have a effective artist whose existence spirals uncontrollable after he'll get led to the fame and fortune. Jason Schwartzmann may have the titular character. Plaza may have Marnie, a producer who works at Swan's company. Reveal your opinions on current day Casting Make contact with should be genuine section below or on Twitter!

Mark Gordon Co. encourages executives

The Objective Gordon Co. has marketed three professionals in the film and TV divisions. John Harvey continues to be marketed to senior Vice president of drama, television. He became a member of Gordon Co. this past year from ABC Galleries, where he assisted develop ABC series including "Siblings and Siblings" and "Dirty Sexy Money." He reviews to Nick Pepper, mind of drama television. Allyson Seeger continues to be upped to Vice president of film. Getting been with Gordon Co. since 2005, she's presently co-creating "The To-Do List," written and directed by Maggie Carey. Shara Senderoff continues to be marketed to veepee of recent media and director of development for film. The projects she's developing include "Junkers" for Fox and "Hyde" for Skydance. Seeger and Senderoff are accountable to Jennifer Todd, leader of movies for that Mark Gordon Co. Contact Andrew Wallenstein at andrew.wallenstein@variety.com